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It also offers higher 4:2:2 colour subsampling, which means less colour interpolation – and all this with internal recording to a memory card. The marriage of an advanced Digital Live MOS sensor with the beautiful new Venus Engine 10 reproduces extraordinary colour detail and natural texture expression. also features an integrated rotating tripod collar for fast switching between horizontal and vertical shooting orientations when working atop a monopod or tripod.
stops of shake compensation, and this works alongside in-lens stabilization, where available, and electronic stabilization for smoothing out handheld video footage. In VFR mode the sensor can capture video at much slower or faster speeds (up to 180fps), and when the resulting video is played back at standard frame rates, it looks either ultra-fast or smoothly slow. The rear screen is a vari-angle type, and Panasonic says it has improved its luminosity and color rendition for outdoor use –though the new screen is a 3-inch display, while the one on the GH5 is a 3. The Three-Dimensional Colour Control with rich colours from dark to bright shades and high-precision Multi Process NR makes your images stand out.
Whether you’re using a home Wi-Fi connection or a hotspot, you can get a stream up and running in a matter of minutes, particularly once you’ve gone through the initial setup and saved your login details for whatever platform you’re using.
This means that rather than using a cropped area of the sensor when shooting 4K as was the case with the GH4, the GH5 uses the entire width of the chip and then downsamples the footage in-camera. For some, the addition of built-in wireless video live streaming might make it worth the upgrade, but generally speaking we don’t think owners of the GH5 shouldn’t bother replacing it with the GH5 II; the improvements are too minor. Use a card with SD Speed Class with ""UHS-I / UHS-II UHS Speed Class 3 (U3)"" when recording motion pictures with [MP4] in [4K], [mov] or [6K PHOTO/4K PHOTO]. In a pinch the GH5 II, as with a lot of Panasonic cameras, can be used as a wired webcam using the company’s Lumix Webcam software, albeit with a resolution limited to 960p.It’s sharp and clear, and while it doesn’t have the resolution of Panasonic’s more up-market Lumix S cameras (or the remarkable Sony A1), it’s perfectly adequate. It's a common feature among mirrorless cameras—most competitors have IBIS, including the Fujifilm X-T4 and Olympus' Micro Four Thirds cameras, the E-M1X and E-M1 Mark III. In fact, it’s a fascinating crossover camera of a type that could become increasingly common as the boundaries between the stills and video markets continue to blur, though its video-first approach at the expense of stills makes it hard to recommend as one of the best cameras for filmmaking.
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