Hafez: Divan

Product Information

fale hafez – fale hafez ba mani – falehafez – fale hafez asli – hafezdivan – hafez shirazi – divanhafez – فال حافظ با تفسیر – فال حافظ از دیوان حافظ – استخاره با فال حافظ

Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī, known by his pen name Hafez (Ḥāfeẓ 'the memorizer; the (safe) keeper'), was a Persian poet. A mere fraction of what is presumed to have been an extensive body of work survives. This collection is derived from Hafiz's Divan (collected poems), a classic of Sufism. The short poems, called ghazals, are sonnet-like arrangements of varied numbers of couplets. In the tradition of Persian poetry and Sufi philosophy, each poem corresponds to two interpretations, sensual and mystic. Khwāja Šamsu d-Dīn Muḥammad Hāfez-e Šīrāzī (Persian: خواجه شمس‌الدین محمد حافظ شیرازی), known by his pen name Hāfez (born 1315 - died 1390) was the most celebrated Persian lyric poet and is often described as a poet's poet. His Divan is to be found at the home of most Iranians who recite his poems by heart and use as proverb and saying to this day.

پست‌های پرطرفدار

And Hafiz’s genius is the extraordinary degree to which they become vivid, natural and spectacularly personal in his hands. Shams Ud-Din Muhammad or Hafiz is said to be an almost exact contemporary of Chaucer. The pen-name ‘Hafiz’ means ‘one who can recite the Koran by heart’. Not much else is known about Hafiz. The poems from The Divan (or Collected Works) of Hafiz is in fact more or less all we know of his life, where we learn that Hafiz received his gift of poetry from a Gypsy-mystic-scholar who appears only once in a while to mortals. Mir Emad (born Emad al-Molk Qazvini Hasani,‎ 1554 – August 15, 1615) is perhaps the most celebrated Persian calligrapher. Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī, known by his pen name Hafez (Ḥāfeẓ 'the memorizer; the (safe) keeper'; 1315-1390), was a Persian poet who "lauded the joys of love and wine but also targeted religious hypocrisy."

The sonnets of 1 to 100 divans of Hafez Shirazi with the possibility of presenting the divination of Hafez and their complete interpretation in three languages Without keeping in mind the two major currents of religious influence in Persia at the time: Shi’ism and Sufism (font of much of the lyric poetry of the time), Hafiz cannot be fully appreciated. The suffering and pathos of early Shi’ism and the pantheism and the life-celebration of Sufism comes together in Hafiz to form an exhilarating yet humanizing mix that has given it such grandeur and such an endearing personal quality, allowing it to transcend time and still touch our hearts. So the Sufist deification (or re-deification) of wine and of the wine keeper as well as the Madhushala (मधुशाला) and the neo-Platonian conception of the divine as Absolute Beauty all meld together in Hafiz’s poetry to form an intoxicating yet deeply sad mix. Here again we can notice the parallels between medieval poetry of Chaucerian English and the personal lyric poetry of the Persians. They are present everywhere, from the halls of the House of Elders to the remote cottages of the Iranian peasants. With a miracle that can only be imagined for them. He was trained in calligraphy at first by Isa Rangkar and then Malek Deylami. Mir Emad later on moved to Tabriz to study with Mohammad Hossein Tabrizi.Add to all this the consideration that these were meant to be sung and not to be read and were composed mostly impromptu on the urging of an unforgiving patron and we can begin to see the true genius of the poetry. Support for 3 languages: Persian, English and French for those users who are less fluent in Persian. Thus almost any poem of Hafiz can be read on at least three levels of significance (though one or the other might be foremost and highlighted): Hushang Ebtehaj (H. E. Sayeh‎, lit. Shade) is an Iranian poet of the 20th century, whose life and work spans many of Iran's political, cultural and literary upheavals.

Hafez is the embodiment of perfection, a perfect mystic, a unique artist, and a human being who has gone beyond the boundaries of time and space; Few can be found as great as him. Hafez Ghazalsarai Yeke Taz Fars Literature at the peak of Ghazalsarai's ability has left only one volume of Divan. Here we are proud of Hafez Divan from different angles.ravi چیه؟ حرف روی آخرین حرف اصلی از حروف همسان ، در انتهای قافیه است . برای مثال ، اگر کلمه ی ‌‌/ نهاده ام/ با /گشاده ام/ به عنوان قافیه ی یک بیت استفاده بشه ، حرف "دال" حرف روی محسوب خواهد شد . Hāfez (حافظ) (Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī) was a Persian poet whose collected works (The Divan) are regarded as a pinnacle of Persian literature and are to be found in the homes of most people in Iran, who learn his poems by heart and still use them as proverbs and sayings. Though Hafez is well known for his poetry, he is less commonly recognized for his intellectual and political contributions. A defining feature of Hafez' poetry is its ironic tone and the theme of hypocrisy, widely believed to be a critique of the religious and ruling establishments of the time. Persian satire developed during the 14th century, within the courts of the Mongol Period. In this period, Hafez and other notable early satirists, such as Ubayd Zakani, produced a body of work that has since become a template for the use of satire as a political device. Many of his critiques are believed to be targeted at the rule of Amir Mobarez Al-Din Mohammad, specifically, towards the disintegration of important public and private institutions. He was a Sufi Muslim.

In this program, the sonnets of 1 to 100 divans of Hafez Shirazi have been collected with the possibility of presenting the divination of Hafez and also their complete interpretation in three languages: Persian, English and French, which will be provided to you. You can always have the Hafez horoscope program with you and share it with those around you. Bāqerī, Bahādor; Bayāt, ʿAlī; Bolukbāšī, ʿAlī; Dādbeh, Asḡar; Hāšempur sobḥānī, Towfīq; Ingenito, Domenico; Keyvānī, Majd-al-Din; Kordmāfī, Saeed; Ḵorramšāhī, Bahāʾ-al-Din; Sājedī, Tahmuras; Sajjādī, Ṣādeq; Semsār, Moḥammad ḥasan; šams, Esmāʿīl; Masʿūdī arānī, ʿAbdollāh; Meythamī, Ḥossein; Mīranṣārī, ʿAlī; Nekuruḥ, Ḥasan; Pākatchī, Aḥmad; Baḵš-e Honar-o-Memārī (2011), "Ḥāfeẓ", in Mousavī Bojnūrdī, Moḥammad kāẓem (ed.), Dā′eratolma′āref-e Bozorg-e Eslāmī (in Persian), vol.19, Tehran: Markaz-e Dā′eratolma′āref-e Bozorg-e Eslāmī, ISBN 978-600-6326-04-7 Includes Bell's translation of Hafez, along with the original Persian (Farsi). Also included are Bell's extensive introduction on the life and poetry of Hafez and a preface by E. Denison Ross.

This application provides you with the 495 sonnets (Ghazals) to either just read through or enjoy Fal . After Tafaool (making your wish), Just shake your device and get a new sonnet . The unity in such poetry emerges from a symbolic unity of the leading imagery of each Ghazal/couplet - each linked to the others only through imagery (but not through ideas) - deliberately suppressed for effect, sometimes even forming multiple interlinkages (skipping couplets to form multiple threads) to form a delicious arabesque imagery through the poetry… it is hard to conceive of. The Persian poet Hafez (1320-1389) is best known as a Sufi mystic who incorporated elements of Sufism into his verses. The state of God-Realisation is symbolised through union with a Beloved, and drinking the wine of spiritual love.