Touch

Product Information

T eaming up once again with legendary producer Conny Plank who they’d worked with previously in The Tourists, Annie Lennox and Dave Stewart’s first step as Eurythmics is a bracing shot in the arm for those expecting their cultured synth-soul style that would bring them worldwide fame. In the garden is a gutsy post-punk collection that boasts muscle, angular riffs and soulful vocals’ The Irish Charts – All there is to know > Search results for 'Eurythmics' ". Fireball Media. Archived from the original on 2019-07-25 . Retrieved 2020-02-27.

Touch is the third studio album by British pop duo Eurythmics, released on 14 November 1983 [3] by RCA Records. It became the duo's first number-one album on the UK Albums Chart, and also peaked at number seven on the US Billboard 200. It has since been certified Platinum in both the United Kingdom and the United States. [4] [5] The album spawned the singles " Who's That Girl?", " Right by Your Side" and " Here Comes the Rain Again", all of which reached the top 10 of the UK Singles Chart.The wriggling electro groove of Regrets is fleshed out with slap bass and, gradually, the introduction of bursts of Latin brass; the duo’s sonic horizons were changing as they took on influences gleaned from traversing the globe on tour. That’s when we decided to take even more control by actually getting second hand equipment and stop using traditional studios,” Stewart told Super Deluxe Edition in 2019. “We spent months working on the Sweet Dreams album without the cost hanging over our heads and I think that allowed us to get lost in sound and find our way to what I used to call electro-soul.” Charts.de - Media Control Chart-History > Album > Eurythmics, Greatest Hits". Media Control Charts . Retrieved 2011-09-01. [ dead link]

Connelly, Christopher (2 February 1984). "Touch". Rolling Stone. ISSN 0035-791X. Archived from the original on 9 August 2020 . Retrieved 24 November 2021. Classifiche". Musica e dischi (in Italian) . Retrieved 29 May 2022. Select "Album" in the "Tipo" field, type "Eurythmics" in the "Artista" field and press "cerca".

The two broke up as a couple around that time, but wanted to continue their musical partnership. They formed Eurythmics as a duo, wanting to explore electronic music. Their choice of producer for their first album, Conny Plank, indicated their intentions as he’d worked with the likes of Kraftwerk, Neu! and Ultravox. Reighly, Kurt B. (17 January 2006). "Big Gay Following: Annie Lennox". The Advocate. p.34 . Retrieved 14 November 2012. a b c d e f "Eurythmics ARIA chart history, received from ARIA on 27 February 2020". Imgur.com . Retrieved 14 June 2020.

Dance Vault Remixes - Right By Your Side (EP)/05. Right By Your Side (12 Super Extended Mix) (Remix).mp3 There’s the brusque guitar stomp of Belinda with Lennox’s multi-layered vocals sitting atop some post-punk guitars and heavy riffing of Stewart. It feels like a more refined cousin of Keith Levene’s razorcut riffing on PiL’s Public Image single from three years earlier. Sweet Dreams went Top Five in the UK and made the US Top 20, breaking them as a chart pop act worldwide and launching them to superstardom. The frantic squall of Caveman Head is a highlight, a dizzying mix of skittering drums, spiralling guitars and a woozy vocal from Lennox. Meanwhile, the French language oddity Sing-Sing’s keyboard refrain is certainly on nodding acquaintance with Gary Numan’s Cars. Here Comes the Rain Again" video". VH1. Archived from the original on 2013-02-09 . Retrieved 2009-12-09.RPM Magazine Archives > Top Singles > Eurythmics". RPM. Archived from the original on 2012-10-18 . Retrieved 2010-08-18. Albums: "hitparade.ch > Suchen nach: Eurythmics (Alben)" (in German). Hung Medien . Retrieved 2020-02-27. a b c d e f g h "American certifications – Eurythmics". Recording Industry Association of America . Retrieved 14 June 2020. Regrets' and 'The First Cut' also follow suit perfectly, in all of the album's undertone charm with the finest example of the lot - 'No Fear, No Hate, No Pain (No Broken Hearts)' in all of its orchestral/vocal rage and lamentation (the full blast of emotion it is). The only cheerful moment is 'Right By Your Side' - a song which might not entirely fit into the set but makes 'Touch' a strange album of shifting moods, coming on a little too early in hope for the album's "happy ending".