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Dean and Sal are characterised by a refusal to look beyond the next hour. The consequences of their actions are of little concern to them because they feel no responsibility for them. Dear Carolyn: Letters to Carolyn Cassady (1983) (1000 copies Edited By Arthur and Kit Knight) ISBN 0-934660-06-9 The beginning of this book was promising. I thought it was going to be like Fear and Loathing in Las Vegas, but it wasn’t funny. Main characters Sal Paradise and Dean Moriarty are clearly enthusiastic fans of the jazz/bebop and early rhythm-and-blues musicians and records that were in the musical mix during the years when story took place, 1947 to 1950. Sal, Dean, and their friends are repeatedly depicted listening to specific records and going to clubs to hear their musical favorites. a b c Brooks, David (October 2, 2007). "Sal Paradise at 50". The New York Times . Retrieved 16 April 2012.
Robert Kirsch in The Los Angeles Times said, "Mr. Kerouac may one day be a good writer, but that day will come when he stops riding around in a compulsive search for "material" and settles down to learn some of the first things about the craft...Mr. Kerouac calls this "The Beat Generation," but a much more accurate description would be "The Deadbeat Generation." I don't know whether such people really exist, but if they do, he has thoroughly failed to make them believable." [20] VITALE: In the spring of 1951, Kerouac famously typed the entire first draft of "On The Road" in just three weeks on a continuous scroll of papers so he would never have to stop typing.
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In addition to it just being plain boring, this book is deeply problematic. Women are referred to as blondes, brunettes. There was a slur against the LGBTQIA+. Either they are 'whores' for being as sexually liberated as the men are or they are screaming wives who throw their husbands out of the house for being jobless, cheating drunks or they are opportunistic and evil simply because they do not find Sal or Dean or Remy or Ed or any of the men in their lives to be deserving of their trust and respect, which they truly aren't. VITALE: In "On The Road", Kerouac mythologizes his friends, a circle of hipsters he called The Beats, including the poet Allen Ginsberg and the writer William Burroughs. The hero of the novel, Dean Moriarty, is based on their friend Neal Cassady, an ex-convict and a Casanova of astonishing energy. But the enduring aspect of "On The Road" is not its literary history but the music of its prose. I thought, and looked every, as I had looked everywhere in the little world below. And before me was the great raw bulge and bulk of my American continent" (P. 79)
Bignell, Paul (29 July 2007). " On the Road (uncensored). Discovered: Kerouac "cuts" ". The Independent. London. Archived from the original on September 27, 2007 . Retrieved 2007-08-02. In terms of geographical sweep, the narrative covers nearly the whole of America in the 50s weaving its way in and out of Los Angeles and New York and San Francisco and many other major American cities. Through the eyes of Salvatore 'Sal' Paradise, a professional bum, we are given an extended peek into the lives of a band of merry have-nots, their hapless trysts with women, booze, drugs, homelessness, destitution, jazz as they hitchhike and motor their way through the heart of America. More than four decades after his death, Kerouac continues to capture the imagination of wayward and rebellious youth. One of the most enduring American novels of all time, On the Road appears on virtually every list of the 100 greatest American novels. Kerouac's words, spoken through the narrator Sal Paradise, continue to inspire today's youth with the power and clarity with which they inspired the youth of his own time: "The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn like fabulous yellow roman candles." a b Holmes, John Clellon (November 19, 1952). "This is the Beat Generation". The New York Times Sunday Magazine. After his discharge from the Marines, Kerouac returned to New York City and fell in with a group of friends that would eventually define a literary movement. He befriended Allen Ginsberg, a Columbia student, and William Burroughs, another college dropout and aspiring writer. Together, these three friends would go on to become the leaders of the Beat Generation of writers.Tim Hunt (2009). Hilary Holladay and Robert Holton (ed.). "Typetalking: Voice and Performance in On the Road". What's Your Road, Man?. Carbondale, IL: Southern Illinois University Press: 169–185. Kerouac began writing The Town and the City in late 1945, according to Ellis Amburn, who edited Kerouac's last two novels and wrote the biography Subterranean Kerouac. Heavily influenced by Thomas Wolfe, he sent the completed manuscript to Wolfe's publisher, Charles Scribner's Sons, in 1948. Kerouac told his friend Allen Ginsberg that he hoped that he would hook up with Wolfe's editor Maxwell Perkins, not knowing that Perkins had died the previous year. Scribner's rejected the book.
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