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An album by Harald Blüchel was named after the painting– Die Toteninsel (Zauberberg-Trilogie Teil 1) (2006). The third version of the painting is shown on the cover of this album. Throughout, you marvel once again at Arnold's ability to gain access to her subjects at work and at play. Her many portraits of celebrities, which she called "personalities", are the product of a more open and innocent era, when stars were not so paranoid about controlling their image. There's a beautifully intimate shot of the film director John Huston and his then teenage daughter Anjelica, sketching. Arnold caught a young Michael Caine cavorting playfully with Candice Bergen in a break from shooting The Magus in Majorca, and Marilyn Monroe lunching in the woods with her husband, Arthur Miller, on the set of The Misfits. There's a great shot of a young Andy Warhol deeply engrossed in a painting in the Factory in New York, and another of a luminous Mia Farrow in rehearsal. In 1907 he began his column in the weekly newspaper The Referee, writing under the name Vanoc. He also sat on the council for the Eugenics Education Society and supported compulsory military service, which led to the Duke of Bedford becoming his patron. [1] The Swedish neoclassical band Arcana used an image of Isle of the Dead on the cover of their debut album Dark Age of Reason (1996). Before his Liverpool teams stepped out to play, Bill Shankly used to say: “Don’t let them down.” Alexander-Arnold nods. “I know what this means. It’s a balance of not letting them down and also wanting to make them proud. We have that responsibility when we put on the shirt. We’re doing this for the people who put the shirt on at home and walk to the game, the people who put the shirt on for the seven-hour bus journey to Wembley, the people who spend so much getting to Paris this weekend.”

iPad 3, iPad 4, iPad Air, iPad Air 2, 2017 iPad, iPad Mini 2, iPad Mini 3, iPad Mini 4, 9.7" iPad Pro: 2048x1536, 1536x2048 I remember Leicester away on Boxing Day [in 2019 when he made two assists and scored as Liverpool won 4-0]. I remember coming off the pitch thinking: ‘Wow, that was an incredible game and a clean sheet.’ Chelsea in the FA Cup final this year was another big one for me.” Graphic novel Ile des morts (text: Thomas Mosdi, drawings: Guillaume Sorel) has the pictures playing a key role in its gothic, Lovecraftian story. Geoffrey Alderman has argued that after visiting Russia in 1890, White transitioned towards a stance of virulent racial antisemitism, arguing that the problem of Jews in the UK was ‘not…of numbers, nor of habits, nor of occupations…but the fact that, good, or bad or indifferent the orthodox immigrants belong to a race and cling to a community that prefers to remain aloof from the mainstream of our national life, by shunning intermarriage with Anglo-Saxons’. [5]

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Liam Scarlett’s final work for San Francisco Ballet was Die Toteninsel (2019), inspired by the symphonic poem of Rachmaninoff as well as the painting. [13] It is all very picturesque and otherworldly until a restrained study in green of a production-line worker at a bottling plant brings you up short. The photograph is a reprise of that early signature shot of a woman caught, unguarded, from the rear. Against the horizontal uniformity of the green bottles, the worker’s plaits form two straggly vertical lines down a white uniform. Her humanity lies in their slight untidiness; otherwise she is just part of the machine. This, it suggests, is what industrialisation means – not only to women in China but to any factory workers anywhere in the world.

Did finishing second to Manchester City, with 92 points, feel like a defeat? Alexander-Arnold pauses. “Yeah, it’s still a defeat. But we’ve done something I don’t think any other team could achieve this season. No other team but us could get to three finals and take the title race to the last day. We’ve already got two trophies and we missed out by one point to a team who are so, so good and they only ended up with one trophy. Potentially we will end up with three so it can’t be that big a loss.” Christopher Bedford, ‘Hard Targets’, Los Angeles County Museum of Art, http://www.lacma.org/essay-christopher-bedford, paragraph 2, accessed 9 March 2014.For the best part of the next twenty years it didn’t seem to occur to anyone in a position of authority at the BBC that the series really was offensive to more than just a few “killjoys”. This failure to even see any racism was a measure of the BBC’s real problem: the archival record of its behind-the-scenes thinking during this period is far from flattering. Trent Alexander-Arnold says he would ‘love to know’ how an individual sport feels. Photograph: Courtesy of Liverpool FC

Marilyn Monroe learning her lines during the filming of The Misfits, 1960. Photograph: Eve Arnold/Magnum PhotosThe internet likes to say that Alexander-Arnold can’t defend but he is at the heart of the way in which Klopp wants Liverpool to play. “It’s a team sport so he understands that there has to be – I won’t say limitations – but parameters for what I do. He’s talked me through my defensive responsibilities but he gives me freedom to roam, drifting and finding the right position. It feels like he sets up the team to allow me to do what I’m best at – create, find passes and hurt the opposition.” In 1903 White was sent to Brixton Prison in contempt of court when he wrote in August 1903 an article for The Sun on the fraudster Whitaker Wright whilst the case was sub judice. [1] White then campaigned against Jewish immigration from Russia, and as an agent of Baron de Hirsch he went to Russia to try to persuade the Tsar's government to found a Jewish colony in Argentina. [1] A eugenicist, White felt that Jewish immigration was reducing England to the world's ‘rubbish heap’. [4]