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Meddle

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Mabbett, Andy (1995), The Complete Guide to the Music of Pink Floyd (illustrateded.), Omnibus Press, ISBN 0-7119-4301-X, archived from the original on 22 February 2017 , retrieved 24 September 2016

Following these early experiments– called Nothings– the band developed Son of Nothings, which was followed by Return of the Son of Nothings as the working title of the new album, which ultimately evolved into "Echoes". [6] Remember, if your system is already very bright it might balance out the WYWH UK and vice versa for DSOTM.

a b Sheffield, Rob (2 November 2004). "Pink Floyd: Album Guide". Rolling Stone. Wenner Media, Fireside Books. Archived from the original on 17 February 2011 . Retrieved 27 December 2014. Excellente qualité de pressage, pas de bruit de surface sur les blancs ni sur les plages musicales, et ce qui est rare ni aucun craquement, pourvu que cela dure. A short concert tour ran from October to November 1971 to promote the album in the United States and Canada, which was the most extensive tour the group had done to that point. The tour was booked by Allen Frey, who continued to organise North American tours for the group throughout the 1970s. [11]

the 1u is more stereo perfect, more warm, natural and balanced, bass is punch better and way more exciting and very emotional to listen too. The sound just hugs you around. Part of Floyd's massive success with Dark Side of the Moon was their tendency to sample sounds that - as incongruent as they might have been at first listen - somehow perfectly accompanied the music they made. We get a taste of that on Fearless as the Liverpool FC iconic supporter chant "You'll Never Walk Alone" features at a couple of points during the song, including the outro. YNWA may be something of a cliche 45 years later, (and I write as most certainly not a fan of that particular football club!) but Floyd obviously saw something in it before it became almost annoyingly ubiquitous. This was some years before the Kop would be watching their heroes clean up trophies both domestically and abroad. Once again, Waters and co were well ahead of their time. Matrix / Runout (B-side runout stamped, variation 16): SHVL 795 B-3 2 AP(unreadble letter or number)) Meddle (Booklet). Pink Floyd. Capitol Records (50999 028942 2 5). 2011. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link)The album's title Meddle is a play on words: a medal, and to interfere. [16] Storm Thorgerson of the art-design group Hipgnosis originally suggested a close-up shot of a baboon's anus for the album cover photograph. He was overruled by the band, who informed him via an intercontinental telephone call while on tour in Japan that they would rather have "an ear underwater". [22] The cover image was photographed by Bob Dowling. The image represents an ear, underwater, collecting waves of sound (represented by ripples in the water). [16] Thorgerson later expressed dissatisfaction with the cover, claiming it to be his least favourite Pink Floyd album sleeve: "I think Meddle is a much better album than its cover". [23] Thorgerson's colleague Aubrey Powell shared his sentiments, saying: " Meddle was a mess. I hated that cover. I don't think we did them justice with that at all; it's half-hearted." [24] The gatefold contains a group photograph of the band, which would be their last until 1987's A Momentary Lapse of Reason. [23] Release [ edit ]

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