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Midnight at Malabar House: Winner of the CWA Historical Dagger and Nominated for the Theakstons Crime Novel of the Year (The Malabar House Series)

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Knowing much less about Indian history and this period in particular, you'll probably be apt to like this far more than I did. The case itself holds several good twists but it really becomes too convoluted and also rather easy to decipher at the same time. While there are way too many characters running completely on feelings, sacrifice, passion and not just plain greed to make it at all probable for their placements. Outstanding. I've always been a fan of Vaseem Khan but this latest offering is something special and something new. Vaseem is totally at the height of his powers with this novel which combines a flair for history, time and place with a genius for mystery. A novel for our times." - Imran Mahmood Wadia eventually establishes several lines of enquiry. Herriot was investigating atrocities during Partition, about which plenty of people have matters to conceal. His assumed wealth is found to be illusory, something his business partner might have resented. His missing trousers, when found, hint at some sexual or romantic liaison which might have been a cause for jealousy.

Midnight at Malabar House - Fantastic Fiction Midnight at Malabar House - Fantastic Fiction

Mr. Khan definitely doesn't know Mumbai/Bombay. The four streets he's mentioned still exist so no research needed. There is a lot to like in this book.Most notably, there is a wealth of information and history about the demise of the British Raj and the religious and secular conflicts that arose from the Partition of India. Much of the viewpoint is presented from an Indian point of view, which is a refreshing departure from a host of Anglo centric novels that have been written. Vaseem Khan's new book is an absolute treat from start to finish. A satisfying murder mystery and a fascinating evocation of India just after Partition, it also introduces the clever, endearing (and somewhat stubborn) Detective Persis Wadia to the world. I'm already looking forward to her next case * Antonia Hodgson * The tactic of "let's give the case to the least experienced detective who's sure to screw it up but then again, maybe not" is straight out of the book of classic procedural devices for Indian crime novels. It popped up a few days ago in the last book I read (The Waiter by Ajay Chowdhury) and it was so obvious as to be almost insulting.

Profile". Vaseem Khan. May 2015. Archived from the original on 26 March 2016 . Retrieved 11 April 2016. An intriguing mystery with a strong female protagonist who’s introvert, bookish and owns a grumpy cat (makes an ideal protagonist of course). The striking fact about her is that she’s no ordinary being, but the first woman IPS officer with some great shooting skills. Author Vaseem Khan chooses to create a very Hercule Poirot climactic scene in a church parlor, where, with the assistance of her British not-quite-beau, Persis succeeds in a ruse to gather a remarkably large group of Indian and British suspects hiding secrets that may or may not be relevant. There is a lot of potential to make this a series - like maybe breaking this book into 3 books for start. I can imagine writing a complete book is nothing short of achievement. And so the one additional star. Persis Wadia is the first female police officer in India. She works at Malabar House, home to misfits or policemen who have made career limiting mistakes. Persis is on duty on New Year's Eve in 1949 when a call comes in to investigate the murder of a prominent British official, Sir James Herriot, during a party he is hosting. His throat has been cut in his study in a compromising position, and his trousers are missing. Turns out, he has been asked to look into atrocities associated with the Partition (i.e., the contention establishment of Pakistan, based on religious beliefs.)

Midnight at Malabar House by Vaseem Khan | Hachette UK Midnight at Malabar House by Vaseem Khan | Hachette UK

The story opens with Persis Wadia, the first female detective in the about-to-be Indian Republic, answering a phone at the Malabar House police station. The caller is reporting the murder of his boss, one of the few British diplomats that has found a niche for himself in the new India. Because there are higher-level police bureaus in Bombay, there's more than a hint that the team at Malabar House is being called in because it's lowest on the totem pole and likeliest to fail. Persis pursues the truth stubbornly & with persistence. She is hindered by her colleagues, who feel women have no place in the police service, as well as the lingering fears & prejudices of a traumatised nation. Plot is interesting, keeps you hooked on to it throughout as the trauma of partition unrolls itself before the readers. Repetition seemed the only irksome thing about the book, as I felt that the author wants to stuff the information into the reader’s mind by repeating it a good ten times. Besides, the long and melodramatic stretches could have been avoided, because the book seemed good with a Bollywood touch to it (but you can’t complain as the settings of the novel screamed for the touch of the city of dreams i-e: Bombay).

Isabelle Grey’s series about DI Grace Fisher starting with ‘Good Girls Don’t Die’. These have the bonus (for me) of being set in Essex – my birthplace!

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