Billy Liar (Penguin Decades)

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In February 2004, he was voted Britain's most admired contemporary columnist by the British Journalism Review. And there is enough of a cliffhanger to keep you wanting to know: will Billy go to London (and leave his troubles and his two-and-a-half fiancees behind) or will he stay to face the music?

Billy Liar: Waterhouse, Keith, Bentley, Nick: 9781939140302

The cross media adaptations did start not or end there though, Keith Waterhouse originally adapted it in to a stageplay which starred a young Albert Finney (who turned down the lead in David Lean's Lawrence of Arabia to play Billy!), his success in the movie adaptation of Saturday Night and Sunday Morning helping to making Billy Liar an overnight hit in the West End. Of course, like all lazy sods, what he wants to be is a scriptwriter. And this dream is, supposedly, on the verge of being fulfilled - comedian Danny Boon has written to Billy offering him a job down in London. Yeah, right. The other one's got bells on Billy! Keith Waterhouse was born in Hunslet, Leeds, West Riding of Yorkshire, England. He performed two years of national service in the Royal Air Force. Billy Liar is a 1959 novel by Keith Waterhouse [1] that was later adapted into a play, a film, a musical and a TV series. The work has inspired and been featured in a number of popular songs.His career began at the Yorkshire Evening Post and he also wrote regularly for Punch, the Daily Mirror, and latterly for the Daily Mail. He initially joined the Mirror as a reporter in 1952, before he became a playwright and novelist; during his initial stint, he campaigned against the colour bar in post-war Britain, [2] the abuses committed in the name of the British Empire in Kenya [3] and the British government's selling of weapons to various Middle Eastern countries. [4] Subsequently, he returned as a columnist, initially in the Mirror Magazine, moving to the main newspaper on 22 June 1970, [5] on Mondays, and extending to Thursdays from 16 July 1970. Extracts from the columns were published in the books Mondays, Thursdays and Rhubarb, Rhubarb and Other Noises. October, 1962: The film opens with soldiers marching in a parade led by a brass band. The parade passes in front of Leeds Town Hall. A few tanks bring up the end of the parade, and actors dressed as dignitaries are standing on the steps of Town Hall watching the procession pass by. Various crew and film equipment can be seen, and director John Schlesinger uses a blow horn to give instructions to the surrounding extras. He also instructs the actors on the steps of the City Hall. Further crewmembers set up a camera on a tripod outside the Town Hall to capture the scene from a different angle. Grouped with the Angry Young Men of British letters, who came to prominence in the late 50s and early 60s, Waterhouse's most famous creation is less angry with the status quo of post-war Britain than Arthur Seaton and Jimmy Porter, instead finding an escape from his frustrations by living in a dream world half of the time. Billy Fisher, the central character, is an intelligent, creative, educated, lower middle class 19 year old who is frustrated by his surroundings and dull clerical job at a local undertakers. His response is to retreat into Ambrosia, his private fantasy world, where he is a hero. He also responds by lying, indeed he's a pathological liar. His ludicrous deceptions result in some very amusing situations, but also in the melancholy that lies at the heart of the book. Billy dreams of moving to London, to work as a comic scriptwriter, and he has received some encouragement from an established comedian. As he works out how to make his move, his past catches up with him: multiple girlfriends, exasperated parents, his Gran, tiresome colleagues and some quite serious work misdemeanours. Find sources: "Keith Waterhouse"– news · newspapers · books · scholar · JSTOR ( September 2009) ( Learn how and when to remove this template message)

Billy Liar - Penguin Books UK

I had expected Billy Liar to have aged, perhaps grown stale now that its setting would no longer be ideologically either working class or Labour voting. But has anything changed? And if so, has it been for the better? Might it be that the community in which Billy lived had convinced itself of its status and indispensability only to have come down to earth with a bump when reality intervened? Billy is also engaged to not one but two local young women, the sweet and virginal Barbara ( Helen Fraser) and the rough and ready Rita ( Gwendolyn Watts). Unbeknown to both women, they share an engagement ring. It is the freewheeling Liz ( Julie Christie) who has just recently returned from London however that Billy is truly in love with. William Fisher is an intriguing, complicated, sometimes likeable, but more often infuriating main character, who has a vast, phenomenal imagination, living for much of the time in the fictional Ambrosia, where he is the prime minister – but he does have other roles – and friends of his have important positions…this is a very useful, if not sine qua non artifice, given that the reality around him can be quite bleak – he indeed takes the machine gun he has in Ambrosia and uses it on the real humans that upset him, if only in his own mind…the gun does not exist – and besides, he does know this land does not exist outside his head, as opposed to the – let us say more than a billion at the very least – people who are convinced that Qanon is real, the world is led by lizards, pedophiles and that George Soros is the ultimate Satan…oh and Covid does not exist. The film also starred Julie Christie making her first major film role. Julie only took the role, of Liz, after the first choice, Topsy Jane, had to drop out because of illness. All the scenes she had appeared in had to be re-done. An interesting feature of this film is that it was made when they were shooting the original version: it is Topsy Jane and not Julie Christie who is with Tom Courtenay at the top of Leeds Town Hall steps – an early scene in the film. Playing entirely different kinds of characters, Tom Courtenay and Julie Christie also appeared together two years later in Dr Zhivago.

He and a workmate converse in what sounds like a double act. It’s supposed to be funny – and is. But before long, we are laughing at the two of them, not with them. It’s not original. Billy’s talent, it seems like that of everyone else, is mimicry, a cliched copying of what the mass media are feeding him. He manages to sabotage his engagement to Barbara (aka "The Witch") by borrowing her engagement ring, supposedly to take it to the jeweller's "to be adjusted", and giving it to his other girlfriend Rita! Oh, and then there's Liz as well... Some have described Billy Liar as a coming-of-age novel. This is true in the sense that Billy certainly falls within the age group transitioning from teenage innocence to adult responsibility. However, it’s no Bildungsroman , which Wikipedia defines as “a literary genre that focuses on the psychological and moral growth of the protagonist from youth to adulthood (coming of age), in which character change is important.”

Billy Liar - Wikipedia

Billy dreams big - of becoming a famous scriptwriter, of leaving behind his drab existence and running away to London and of making it with the wonderful free spirit played by Julie Christie in the film. And, somehow, we know that none of it will happen.Kenneth Allsop, The Angry Decade: a survey of the cultural revolt of the nineteen-fifties, 2nd edition, Peter Owen Limited, London, 1964. In 2007, Empire praised Tom Courtenay for the main role stating: "Skulking between temerity and timidity, callousness and innocence, Tom Courtenay dominates the picture, whether defrauding his employers or duping his trio of girlfriends. But the most memorable moment remains the sight of Julie Christie on the train to London, watching Courtenay shrugging on the platform and settling for the mediocrity he despises and probably deserves." [8]

Billy Liar (1963) - Plot - IMDb Billy Liar (1963) - Plot - IMDb

Andrew Higson, ‘Space, Place, Spectacle: Landscape and Township in the ‘Kitchen Sink’ Film’, in Andrew Higson (ed.), Dissolving Views: Key Writings on British Cinema, Cassell, London, 1996. The film is one of many made in Yorkshire (see the book Made In Yorkshire, which provides details and an excellent overview of these films, in References). John Schlesinger, seen directing in the film, later also made Yanks in nearby Keighley in 1978. Schlesinger won an Oscar for director of Midnight Cowboy in 1969, which also won best film.Tom Courtenay, who was born in Hull, featured in many films located in Yorkshire, including The Dresser, also partly filmed in Bradford at the Alhambra Theatre. This co-starred Albert Finney who had played the Tom Courtenay part, Billy Fisher, on stage, but turned down playing the part in the film. Having starred in The Loneliness of the Long Distance Runner the previous year, Billy Liar established Tom Courtenay, playing the lead character Billy Fisher, as a major actor.A long Saturday in the life of 19 year old Billy who skates perpetually on thin ice and today looks like finally he will fall right through. He lives in Stradhaughton in Yorkshire and the year is 1959. It’s a small town. He’s such an aggravating, annoying fool. His boss at the undertakers (a comedy job) asks him to post 200 Christmas calendars out, but he doesn’t do it so he still has them stashed under his bed months later. His boss also asks him to post out some invoices, but he doesn’t do it so he still has them stashed under his bed months later. His mother asks him…. Now this guy is not quadriplegic so I did not see what the problem was – why not just post them? This is not explained, he’s just an idiot. Also, he’s stringing two girls along and each thinks he’s engaged to them, leading to some why is she wearing my ring comedy. Also, he floats around town in daydreams about some imaginary kingdom where Billy is the king, this was very tiresome. Also, he brags to all and sundry that he’s landed a top job in London as a scriptwriter for a top comedian. All in all, if a 29 bus flattened young Billy as he was crossing Ironmonger Street you would not be all that sorry.