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John Wick 4K Ultra HD [Blu-ray + Digital HD]

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the more than slightly byzantine environment of The High Table. There are some interesting evolutions to the "look" of this film, with less of a veritable head above water (so to speak), but continue to impress, even with what some may feel is an outsized running time approaching three

John Wick: Chapter 3 - Parabellum | Prime Video Watch John Wick: Chapter 3 - Parabellum | Prime Video

Reeves' physical ability here is startling. The action choreography appears to be grueling to say the least. The result is gun-fu gunplay which is viciously artistic. He's perfect for this part. A loner, with a depressing past, who isn't asked to say a whole lot, but is asked to doa ton. Destiny of a Collective (HD, 6 min) — An interesting talk about the collaboration between Stahelski and Leitch.

Extras

when in any given frame not everything can be clearly discerned, but doing an A to B comparison with the 1080 disc showed at least some odd anomalies—pay attention, for example, during the yellow graded scene where John goes a little gonzo with his Mustang, and there's a gritty, noisy levels in Lionsgate's 1080 presentation. From the first moments where a kind of handmade kakite bikei wrapped in rope John uses is shown, this fourth outing, as John has come to the semi-reasonable conclusion that the only way he's ever going to be able to survive is to assassinate the

John Wick: Chapter 2 – 4K Ultra HD Blu-ray review | What Hi-Fi?

the bat with some thundering effects as John pummels his training device. The cavernous sounds of the Bowery King's domain offer some clear The Psychology of a Killer (HD; 4:32) talks about the moral shades of gray most of these characters exude. Note: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.

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characters thrown into the mix this time. The High Table's chief baddie is the Marquis Vincent Bisset de Gramont (Bill Skarsgård, proving he's fine detail levels are impressive, and even some of the more obvious CGI elements tend to sharper than might be expected, though admittedly some The twangy guitars and tight bass in the opening scene, bullets bouncing off walls and the crumble of debris are nicely organised, making for a satisfyingly spacious soundstage. There are a number of things that I'd argue have played into the overwhelming appeal of this series, with two of them being kind of ironically first

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