Rough and Tumble: Four Hot Lesbian Stories

Product Information

When South Korean auteur Park Chan-wook chose as source material the lesbian historical fiction novel “Fingersmith,” by Welsh author Sarah Waters, it seemed a little out of left field. The first was that they’d slept with someone else, just once, when they were on a solo vacation, before we’d agreed to any sort of open-relationship terms; I felt like they’d forced my hand. Hey, hey look at me," her hand grabs my face to look up at her (how did she get over here so fast) and continues, "I don't want you to stop. She says, unflinchingly, that she has moved on in other ways: She's chosen to change her name, and has moved to a new city where she has pursued a successful freelance writing career, often writing about sexual assault within the LGBTQ community.

According to reports, the victim alleged that what started as a consensual sexual encounter at an off-campus apartment turned violent when she was placed in handcuffs, slapped across the face after withdrawing her consent, slashed across the abdomen with a knife, and sexually assaulted as one of the perpetrators held down her legs. Wearing its noir influences proudly on its sleeve, “Bound” is not only a classic lesbian film, but it’s also the only Wachowski-directed project firmly outside the sci-fi genre. With sweeping visuals and multiple complex female characters, thestaying power of this historic film cannot be denied. The women who’ve faithfully gone on dozens of Olivia trips over the decades are getting older, and I didn’t have a lot of faith that younger queer people were going to step in and save companies like this from extinction.These gender norms can directly contribute to distrust of a victim's claims, says Lisa Langenderfer-Magruder, co-author of a recent study of LGBTQ intimate partner violencein Colorado. When I woke to the gorgeous sight of water and sun outside my personal patio, I felt a little sad and a little lonely. Omitting the standard "he" as perpetrator and "she" for victim in laws, educational materials, and even just general discussion encourages awareness.

She places herself between my legs, leans over to my ear, and whispers, "Tell me you want me to fuck you. One of them was attached to a floating handle that looked very much like a big yellow dildo, which, once somebody pointed it out, kept sending us into hysterics. But it turned out that there were a few other twenty- and thirtysomethings who’d managed to find their way to Olivia.Syd (Radha Mitchell) is a young art critic assigned to a big profile on notorious photographer Lucy Berliner (Ally Sheedy). One young couple from upstate New York had been together for nearly 10 years, though you wouldn’t necessarily know it; they still looked at each other like they’d only just fallen in love that week, and I told them so. While she didn't find them to be exactly unsupportive, there was still a consistent and major hurdle: "They are oftentimes surprised when they realize it was a woman who assaulted me. At first, sitting alone on the catamaran heading out for my snorkeling excursion, I felt shy again, and wished I had Dana or Jamie and Matie at my side.

It is through the tangled ties of a frail Queen Anne (Olivia Colman) with two other scheming and ambitious women — her close friend and advisor Lady Sarah (Rachel Weisz), and Sarah’s indigent cousin turned status-seeking chambermaid Abigail (Emma Stone) — that the story plunges into a maelstrom of unscrupulous behavior and unpredictability, that epitomizes the expression “palace intrigue,” as a nation’s fate lies within the relations among women who’ve succumbed to the complications of love. According to the 2015 report by the National Coalition of Anti-Violence Programs, of LGBTQ individuals in Ohio who did report intimate partner violence, 21 percent experienced "indifferent" reactions from police. But even though there are plenty of trans and nonbinary lesbians, and plenty of cis lesbians (like me) who don’t think that “lesbian” should be defined exclusively as “cis woman who’s only attracted to cis women,” our identity still hasn’t been able to shake the sexist, classist, and anti-gay stereotypes of lesbians as uncosmopolitan boomer TERFs, sporting Tevas and cargo pants covered in cat hair. I just don’t understand some of these women,” she said, looking around the room at the joyful group of dancing lesbians. I was there for work, after all, and I was hyperaware of the Hollywood stereotype of the slutty mess of a woman journalist who, in the course of doing her job, just can’t help herself and unprofessionally, irresponsibly starts sleeping with the subject of her story.Featuring a performance from “Twin Peaks” icon Joan Chen, the film follows Wil (Michelle Krusiec), a surgeon who meets and falls for ballet dancer Vivian (Lynn Chen). According to everyone’s awkward intros, they were from all over the country: Denver, San Diego, Seattle, Nashville, Houston, New York.

The woman who bought me a drink after I sang Kelly Clarkson at karaoke — a petite therapist from California with a prim gray bob — ended up being one of them. I thought I’d mostly meet a lot of Midwestern, dutifully monogamous couples in their fifties and sixties. She sighs through her nose, but her grin stays nonetheless, "Yeah, yeah whatever dickhead," she throws a glove box at me which I, embarrassingly, barely catch, "just get to work already.Her teeth graze against my buds, as she alternates between the two, never staying on one for long before switching. Fourteen years before Lulu Wang’s “The Farewell,” Wu’s film was also populated almost exclusively by Chinese actors (many of whom spoke Mandarin in the film) and was deeply rooted in the immigrant experience. Set in the 1950’s and in Reno, Nevada, it follows English professor Vivian Bell (Helen Shaver) as she awaits a divorce and starts a new life.