BOSS Gt-100 Guitar Multi-Effects Pedal

Product Information

Sofern der Kunde Verbraucher ist, tragen wir unabhängig von der Versandart in jedem Fall das Versandrisiko. Bei Festpreisartikeln nimmt der Käufer das Angebot an, indem er den Button „Sofort-Kaufen“ anklickt und anschließend den Button „kaufen“ anklickt. also adds a unique monophonic guitar-to-MIDI function that lets you have fun with soft synths and other MIDI instruments in your computer from your normal axe, with no special pickup required. Patches, amps and overdrive/distortions can be created from scratch or modified with the easy-to-use graphical TONE GRID. The software also makes it easy to organize and archive patches, and to load them as needed for different gigs and recording sessions.

Most of the effects (including the Graphic and Parametric EQ's) appear to be the same in the BOSS GT-100 as in the BOSS GT-10 as well; I was hoping for a 16/32/64/128-band Graphic EQ and a Parametric EQ that would allow me to adjust at least 20 or more individual frequencies (at 100Hz increments; rather than skipping every 1000Hz or so). I have it set up with AB switching, to go from a Fender Twin amp to a Marshall Plexi amp and I run through a Marshall Origin 20 head or a Marshall DSL 40c.

Since some songs have multiple tracks with different tones, we chose the tone we felt was most identifiable with the song. Another practical element to consider when moving from separate stompboxes or something like the M13, is the lack of colours to tell you what you're using / what's switched on and what's switched off. Also, it goes to show how easy the unit is, as I have done all of this without once using the Manual, and of course I will put my hands up and say that some of the issues are down to me! So using the Accel/CTL pedal I was easily able to switch between a lovely clean sound and a nice crunchy rhythm sound. It features dual LCD screens and an improved menu system for much slicker programming and more-useful information display.

There are LCD view options that kind of do the same thing, but it's all in a very functional burnt orange that makes it hard to distinguish between delays, modulations and so on. So I had my set up running some pedals into the amps models, and then a couple of time based effects after the amp (something I can't achieve with my Blues Junior but can with my Egnater due to the effect loop). So it is very important that guitar effect processor Manufacturers include all of the same effect (and parameters) from the older units into the newer units and make sure when the patches are transferred they sound 100% (not 99%) the same! By meticulously recreating the nuances of vintage amplifiers, the GT-100 is not only fantastic at cloning classic amps but it gives you the power to create a whole library of new amps. Andertons Music Company acts as a credit broker and not a lender and only offers credit products from Secure Trust Bank PLC trading as V12 Retail Finance.

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I know I have been spoilt by having some fantastic speaker modelling software (Live G in Digital Performer) but this was pretty ropey in my experience. with its heavy-duty chassis has been built to be rugged and robust and withstand rigorous touring and transportation. After a little bit of fiddling around you will realise that visually scanning through the effects chain, and turning on/off and tweaking patches makes it very simple to edit and save the sounds you . The unit also doubles as a sound card, and you can record with amazing quality right into any recording software.Tone customization functionality has been improved with all amps, patches, and overdrive settings which can be created from scratch and/or customized with the user-friendly graphical Tone Grid. It allows for compressor, od/dist, foot pedal, wah, eq, noise suppressors x 2, delay, chorus, and reverb.